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DEVELOPING MINIMALISM AS A STYLE

We have covered many of the rules of composition over the last six months or so. It can be freeing and exciting to break those rules…you can’t be arrested for it and you may even draw more attention to your photography than your present offerings.

We are going to look into minimalism. Minimalism is intentionally increasing the focus on your main subject by removing everything that distracts from your subject. This often involves what is termed negative space, which refers to areas that have nothing to focus on. 

Creating a minimalistic image is easiest when we have big, simple or blank canvases surrounding an isolated subject or interesting lines or shapes. For architectural photography this most often means the sky. For street photography, a blank wall. A lake or the ocean are two of the simplest background we use in landscape photography, but don't feel limited by your geographic remoteness to these locales. Trying out some minimalism will help you to recognize these situations wherever you are.

In many of our ventures into nature, we are using lines, light, shapes and colors that surround our subject to draw and hold attention to the subject. Minimalism draws attention simply by not having anything else there. This can be challenging when there are usually so many rocks, trees, flowers and other items that beg to be in our pictures. This makes it difficult for photographers to even think about minimalism. I miss many opportunities for compelling shots, simply because I don’t even consider the possibilities.

Minimalism allows you to place subjects closer to the edge of a frame. In general, the closer the subject is and still has some space around it, the more focused our attention must be on the subject. But with simple subjects, you can even have a subject closer to the center of the frame as in the image above.

What do you look for to achieve a minimalist result? 

In many of our ventures into nature, we are using lines, light, shapes and colors that surround our subject to draw and hold attention to the subject. Minimalism draws attention simply by not having anything else there. This can be challenging when there are usually so many rocks, trees, flowers and other items that beg to be in our pictures. This makes it difficult for photographers to even think about minimalism. I miss many opportunities for compelling shots, simply because I don’t even consider the possibilities.

Minimalism allows you to place subjects closer to the edge of a frame. In general, the closer the subject is and still has some space around it, the more focused our attention must be on the subject. But with simple subjects, you can even have a subject closer to the center of the frame. Monochrome images almost force the object to the outside of the frame to generate interest, whereas you can get away with centering the object more with color images in order to balance influence of the color.

Having a particularly uncolorful subject in a rather dull space can also command a lot of attention as in this photo of a girl in a red coat. Had I been in my tourist mindset I might have placed the girl more centered in the image or closer to the camera. Here our eye is drawn to the girl whose diminutive size contrasts with the enormity of the falls.

Look through your portfolio and find subjects you have shot before without thinking about the possibilities of minimalism. You may find that visiting a location multiple times or even cropping in a different manner will give you better results. On my first visit to Ice Beach in Iceland the storms had blown many glacial remnants out to sea then up on the shore. Upon a return visit, calm whether allowed for a much simpler, and my mind more compelling, composition.

The following shows an example of cropping and removing the remaining part of the left tree. Then the sky and more ocean was added to create more of a minimalistic image. The reason for showing this is to encourage you to consider compositions ahead of time where you might add more sky or water that is not part of your original composition. This will avoid building areas with current elements (e.g. using Photoshop Content Aware Fill) which inevitably repeats elements visible to the discerning viewer. While I prefer my original composition, I do wish I had gotten out that wide(r) angle lens after the primary composition. 

Although minimalism gives us a chance to break the rules, my preference is to keep the rules in mind while breaking them. If you will notice the images above direct the viewer to a subject, the direction of the subject most often directs the viewer back to the negative space. It is this interplay that keeps us in the picture longer and adds impact or emotion to your work.

 

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RESOURCES

The Value of Photos Color Blindness How to Visit an Art Gallery Wall Art Previews Before You Buy Black & White Darkroom Prints How to Hang a Photo Print Glazing Options for Photos Print Decisions - Paper, Metal, Acrylic? Why Photo Sales are Surging How to Tell Photo Print Quality Lighting for Your Walls Prescott Art Galleries Art Show Guide  

PORTFOLIO PAGES

Motion - Intentional Camera Movement Abstracts Wandering - Scenes You Can Walk Into Viewing - Overlooks and Cliff Edges Slot Canyons & Caves Pueblos & Petroglyphs Grand Canyon Growing - Trees, Plants, Flowers Blowing - Sand Dunes Night Skies - Stars & Milky Way Breaking - Waves & Ocean Shores Waterways - Rivers, Streams, Waterfalls, Lakes Southeastern United States Swamps Namibia Prescott & Sedona Winter Fall Spring Monochrome  

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Photographing Namibia Hotels & Getty Images Night Photography for Everyone Reinventing Oneself Coyote Gulch Hike Originality & Creativity Swamp Horrors Dark Side of Photography Grafitti & Vamdalism AI & Photography Field Notes An Eye for Art Fine Art Photography Photo Workshops & Guides Using Lists for Photography Photography is a Sport Cliff Rage - Photographer vs Tourist Art of Social Media Comments Pre-forgiven - We All Mess Up Size Matters - Smaller Can Be Better Photographer's Solitude  

HIRE ROB STRAIN

Southwest Photo Workshops & Guiding Monsoons & The Grand Canyon Joshua Tree Workshop 2027 Monsoons at White Pocket & North Rim Photography Portfolio Review Post Processing of Your Photos Custom Printing Services  
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  • ROB STRAIN PHOTOGRAPHY
  • PORTFOLIO
    • MOTION
    • ABSTRACTS
    • WANDERS
    • VIEWING
    • SLOTS - CAVES
    • GRAND CANYON
    • PUEBLOAN
    • GROWING
    • SANDS DUNES
    • NIGHT SKIES
    • OCEAN SHORES
    • WATERWAYS
    • SOUTHEAST
    • SWAMPS
    • NAMIBIA
    • PRESCOTT +
    • MONOCHROME
    • WINTER
    • FALL
    • SPRING
  • WORKSHOPS
    • WORKSHOPS - TRIPS
    • JOSHUA TREE 2027
    • MONSOONS - WHITE POCKET - NORTH RIM
    • MOOD OF THE SWAMP
    • CADDO LAKE DETAILS
    • PHOTOGRAPHY WORKSHOPS
    • SOUTHWEST WORKSHOPS
    • INSTRUCTION
    • PRE-SESSION FORM
    • PORTFOLIO REVIEW
    • POST PROCESSING
    • TESTIMONIALS
    • WORKSHOP POLICIES
    • LIABILITY RELEASE
  • LEARN
  • NEWSLETTERS
    • JUL 2026
    • JUN 2026
    • APR 2026
    • DEC 2025
    • OCT 2025
    • AUG 2025
    • APR 2025
    • FEB 2025
    • JAN 2025
    • ARCHIVES
  • DECOR
    • BUYING FRAMES
    • ART FESTIVALS
    • LIGHTING PRINTS
    • VALUE OF PHOTOS
    • COLOR BLINDNESS
    • VISIT A GALLERY
    • WALL PREVIEWS
    • B&W PRINTS
    • HANG IT!
    • GLAZING
    • PRINT DECISIONS
    • SURGING SALES
    • DETAILS MATTER
    • PRESCOTT ART GALLERIES
  • BLOG
    • HOTELS & GETTY IMAGES
    • PHOTOGRAPHING NAMIBIA
    • STARRY, STARRY NIGHT
    • REINVENTING ONESELF
    • HIKING WITH BILL
    • ORIGINALITY & CREATIVITY
    • SWAMP HORRORS
    • DARK SIDE OF PHOTOGRAPHY
    • GRAFFITI VANDALISM
    • SATURATED PHOTO MARKET
    • LIARS & PHOTOGRAPHERS
    • AI & PHOTOGRAPHY
    • PHOTOGRAPHERS' SOLITUDE
    • GOAL SETTING
    • SWAMP REPORT
    • FIELD NOTES
    • AN EYE FOR ART
    • FINE ART PHOTOGRAPHY
    • HIRE A GUIDE , TAKE A WORKSHOP
    • LEAN ON LISTS
    • PHOTOGRAPHY IS A SPORT
    • CLIFF RAGE
    • THE ART OF COMMENTS
    • PRE-FORGIVEN
    • SIZE MATTERS
  • RESOURCES
    • GOLF COURSE PHOTOGRAPHY
    • VIRTUAL CONSULTATION
    • OUR PRINT FORMATS
    • SMART PRINT CHOICES
    • PRINTING SERVICES
    • FRAMES
    • E-books
    • I SHARED
    • FAQ
    • ABOUT
    • SUBSCRIBE
    • PRIVACY POLICY
  • CONTACT