Rob Strain Fine Art Photography Logo
  • ROB STRAIN PHOTOGRAPHY
  • PORTFOLIO
    • MOTION
    • ABSTRACTS
    • WANDERING
    • VIEWING
    • SLOTS & CAVES
    • GRAND CANYON
    • PUEBLOS & PETROGLYPHS
    • GROWING THINGS
    • BLOWING SANDS
    • SHINING SKIES
    • BREAKING
    • FLOWING STREAMS
    • SOUTHEAST
    • SWAMPS
    • NAMIBIA
    • PRESCOTT SEDONA
    • MONOCHROME
    • WINTER
    • FALL
    • SPRING
  • FEATURED PRINT
  • HIRE, WORKSHOPS, ETC
    • WORKSHOPS & PHOTOTRIPS
    • SOUTHWEST PHOTO WORKSHOPS
    • PHOTOGRAPHY WORKSHOPS
    • JOSHUA TREE PHOTOGRAPHY WORKSHOP
    • DEATH VALLEY PHOTOGRAPHY WORKSHOP - MARCH 2026
    • GRAND CANYON MONSOONS PHOTO TRIP
    • 2027 MONSOONS ON THE RIM PHOTO TRIP
    • MOOD OF THE SWAMP PHOTO WORKSHOP
    • CADDO LAKE PHOTO WORKSHOP DETAILS
    • PRE-SESSION FORM
    • PORTFOLIO REVIEW
    • POST PROCESSING
    • TESTIMONIALS
    • WORKSHOP POLICIES
    • LIABILITY RELEASE
  • NEWSLETTERS
    • JUN 2026
    • APR 2026
    • DEC 2025
    • OCT 2025
    • AUG 2025
    • APR 2025
    • FEB 2025
    • JAN 2025
    • NOV 2024
    • JUL 2024
    • JUN 2024
    • MAY 2024
    • APR 2024
    • MAR 2024
    • FEB 2024
    • JAN 2024
    • DEC 2023
    • NOV 2023
    • OCT 2023
    • SEP 2023
    • AUG 2023
    • JUL 2023
    • JUN 2023
    • MAY 2023
    • APR 2023
    • MAR 2023
    • FEB 2023
    • JAN 2023
    • DEC 2022
    • NOV 2022
    • OCT 2022
    • SEP 2022
    • AUG 2022
    • JUL 2022
    • JUN 2022
    • MAY 2022
    • APR 2022
    • MAR 2022
    • FEB 2022
    • JAN 2022
    • DEC 2021
    • NOV 2021
    • OCT 2021
  • BLOG
    • HOTELS & GETTY IMAGES
    • PHOTOGRAPHING NAMIBIA
    • STARRY, STARRY NIGHT
    • REINVENTING ONESELF
    • HIKING WITH BILL
    • ORIGINALITY & CREATIVITY
    • SWAMP HORRORS
    • DARK SIDE OF PHOTOGRAPHY
    • GRAFFITI VANDALISM
    • SATURATED PHOTO MARKET
    • LIARS & PHOTOGRAPHERS
    • AI & PHOTOGRAPHY
    • PHOTOGRAPHERS' SOLITUDE
    • GOAL SETTING
    • SWAMP REPORT
    • FIELD NOTES
    • AN EYE FOR ART
    • FINE ART PHOTOGRAPHY
    • HIRE A GUIDE , TAKE A WORKSHOP
    • LEAN ON LISTS
    • PHOTOGRAPHY IS A SPORT
    • CLIFF RAGE
    • THE ART OF COMMENTS
    • PRE-FORGIVEN
    • SIZE MATTERS
  • PHOTOBOOMERS
    • MILKY WAY PHOTOGRAPHY
    • MULTIPLE EXPOSURE FUN
    • CAMERA MOVEMENT
    • MASKS SIMPLIFIED
    • RADIAL FILTER MASK
    • SELECT OBJECT MASK
    • RANGE MASKS
    • NEGATIVE CLARITY
    • BUILDING FRAMES
    • DENOISE & SHARPENING
    • GALLERY REPRESENTATION
    • ART SHOW GUIDE
    • BORDER PATROL
    • MAKE IT POP!
    • SEEING HALOS
    • SEEING SPOTS
    • REFLECTED LIGHT
    • MODIFYING SATURATION
    • BE A GALLERY ARTIST
    • FINDING STYLE
    • MINIMALISM
    • BREAK THE RULES
    • LEADING LIGHT
    • KEEP IT SIMPLE
    • BALANCE YOUR COMPOSITION
    • CREATING DEPTH
    • FIND AN ANGLE
    • RULES & FRAMES
    • WHAT IS YOUR SUBJECT?
    • MISTAKES PHOTOGRAPHERS MAKE
    • TRIM BODIES ARE IN
    • CAMERA & LENS DECISIONS
    • TRIPOD SELECTION
    • BUY A BAG OR TWO
    • 3 IMPORTANT FILTERS
    • DAY 1 WITH CAMERA
    • DAY 2 - LEARN TO FOCUS
    • EXPOSURE CONTROL
    • CROOKED PHOTOGRAPHERS
  • DECOR
    • BUYING FRAMES
    • ART FESTIVAL SHOPPING
    • LIGHTING PRINTS
    • VALUE OF PHOTOS
    • COLOR BLINDNESS
    • HOW TO VISIT AN ART GALLERY
    • WALL ART PREVIEWS
    • B&W DARKROOM PRINTS
    • HANG IT!
    • COVER THAT PRINT
    • PRINT DECISIONS
    • WHY PHOTO SALES ARE SURGING
    • DETAILS MATTER
    • PRESCOTT ART GALLERIES
  • RESOURCES
    • HOW TO PHOTOGRAPH ANTELOPE CANYON
    • GOLF COURSE PHOTOGRAPHY
    • RESEARCHING WEATHER
    • RESEARCHING LOCATIONS
    • VIRTUAL CONSULTATION
    • OUR PRINT FORMATS
    • SMART PRINT CHOICES
    • PRINTING SERVICES
    • E-books
    • CONTACT
    • I SHARED
    • FAQ
    • ABOUT
    • SUBSCRIBE
    • PRIVACY POLICY
  • FRAMES
  • PHOTOGRAPHY INSTRUCTION
  • Death Valley Night Photography
MENU
P:
Search

Hotels & Getty Images

Jul 23 2026 | By: Rob Strain Fine Art Photography

Share

Barbara and I travel a lot, especially as we escape the summer heat of the California desert. This travel almost always involves stays in moderate hotels…Nothing like a Motel 6 or Route 66 time warp, but also nothing like a Ritz Carlton. Tents have been out of the question ever since I surprised her with a 40˚ experience in the Nevada desert. We got closer for the wrong reason that night. We switched to a Class B Mercedes and the travel trailer a few years back, but that has also gone by the wayside. By myself I can opt to sleep in the back of my Jeep at remote locations, but when we are together it’s all hotels (or timeshares) for us. 

The best situation for me would be to check in late in the day, take a quick shower, then crash into the mattress of the day for around seven hours. In the morning I’d put on fresh clothes and grab a “well-urned” lobby coffee, some powdered eggs and a blueberry mini-muffin. Then I rush out to beat sunrise. With Barbara, however, everything slows down. That’s what happened on the latest road trip to Taos, with a stopover back in Prescott where we lived for six years.

We stay away from motels that have signs like "Free TV" and "Free Coffee". But there are some expectations for our hotel choices. Cleanliness for starters. That’s pretty much the first thing one notices…before the scratchiness of the towels and rather recent predominance of refillable bottles stuck on the shower wall. There is extra credit for hotels that still have those small disposables. Hotel rooms like everything else changed a lot with Covid. No more pens and pads of paper. No nightly turndowns.

Once I heard commentator-comedian Dennis Miller on a late night show talking about his life on the road. He stayed at Marriotts. Our usual night spots won’t ever get us to Platinum Elite status. But we have had exceptional stays at a few nice hotels on special occasions. You would think Miller’s experiences would all be great. But Dennis tells the story of sitting on the end of his bed to trim his toenails. As can happen, one big toenail clipping fell to the floor and he could not find it for a proper disposal. Two nights later he checked into another Marriott in another city while on his tour. He was again sitting on the end of the bed, this time to rub his tired dogs after his stand up show. He couldn’t believe it. There on the floor was the toenail he had lost two nights earlier at a completely different hotel! His point was that all hotel rooms are pretty much the same.

Okay, so my problem with our hotels is not toenails, even though I am always on the lookout. It is sameness. There may be variation of the mattresses…either too firm or too springy. But those laminated nightstands and desks get are boringly similar. If you can find an electrical outlet for your computer charger, it is pretty much guaranteed the worn receptacles won’t hold the weight of the charger. Unless the room has just been remodeled, there will be cracks in the caulking around the tub. Cheap, cup-at-a-time coffee makers make something far less tasty than my Keurig cups at home. We get to wonder whether the previous occupant used his emptied cup from his first brew to dump water in for his second serving. 

All of those things are annoying, but what really grinds me are those damn pictures on the wall.

The photo below was on the wall next to our bed. I recognized the location in Antelope Canyon since I have photographed there many times.

As a photographer, I always look at those pictures, especially when they are photographs, and the process for getting them to the walls. In most cases, hotels put up pictures that reflect the surrounding area. A seaside hotel has breaking waves, Landscape photos, my bailiwick, are most common, but botanical images might also be present. In Taos, there were photos of the Taos Pueblo and strangely for New Mexico, photos of the Grand Canyon.  As I write this, we are in our previous hometown of Prescott, Arizona. The hotel has about 150 rooms. Our room has one large picture and four small pictures arranged loosely in a square. Having stayed in some different rooms of the same hotels multiple times I know that each room in this hotel is likely to have the same five pictures. Perhaps there are two different sets just for a little variety. Sometimes the same pictures are strategically placed in the hallways, restrooms and across from the elevator.

So where do these pictures come from? Why didn’t some designer contact me for my images which are obviously of superior quality? The answer is Getty Images. Or Shutterstock, or some other website (Unspash.com, istock, Adobe Images, etc.) often owned by one of these companies. The reason is cost. The hotel hires a design firm, or has its own, and gives them a budget to completely decorate the walls of their hotel. The design firm makes the most money by paying the least they can for prints, has the prints made at a discount by printing hundreds of copies and buys cheap MDF frames in the same manner. 

Now, the frame company does okay. By selling hundreds of frames, that company can still retain some profits. But for the photographer, it is a different matter. The designer pays Getty Images perhaps $200 for a digital image. The photographer gets somewhere between $30 and $75 for the unrestricted printing of this image. That picture of a slot canyon would make the photographer around 25 cents per room! Unless you know you will be featured in a 5000 room Las Vegas hotel, I would say to keep your nice work off Getty and those other sites.

In my head I am trying not to be jealous that my images aren’t on the walls of these hotel rooms. But then I start calculating in my head. I am paying about $200 a night for this room. The hotel likely runs at 80% occupancy, which means they collect $60,000 for the year on this one room. If the picture stays on the wall for four years, my 25 cents would equal 0.0001% or 1/1,000,000 of the hotel’s receipts for the room. No thanks! I'm no longer jealous. 

Looking back through my images, I discovered a similar image, just with a bit less harsh lighting. While not in my top 10 slot canyon images, I still favor it over the one on the wall of our room.

Compare that to what I discovered using Google’s AI search tool. A hotel room washcloth has a life cycle of about four months. Barbara and I have a knack for picking hotel rooms nearing the end of those four months! There are at least two in each hotel room. Each washcloth costs about $1 when purchased in bulk. So for this 150 room hotel, they will spend $4000 for washcloths during the five years my image hangs in the hotel. My gross (not net) for those 150 rooms would be around $50.

Using the same Google tools, I discovered this hotel would spend about $45,000 over the same period for toilet paper! The softer stuff would be about $90,000 but this isn’t that nice a hotel. The toilet paper expense is certainly okay with me because t.p. is one of the more important items in my life as I age, and in quantities greater than when was young.

A hundred years ago, an outdated Sears catalog was quite valuable on my grandparent’s farm. I just can’t handle the comparative value of photography in a hotel room. But if there is another run on t.p. like there was during Covid, I have an idea about what those hotels can do with those old prints.

Further evidence of hotels skimping was on the edge of their print. It had obviously been dropped by someone (a potential thief?), revealing the MDF foam core. For recommendations on frame choices, visit this page.

Leave a comment

Leave this field empty
This form is protected by reCAPTCHA to prevent spam and abuse. Information collected may be processed for security purposes.
Submit

0 Comments

Previous Post

Archive

2026 Jun Jul
2024 Jan Apr Jun
2023 Jan Feb Mar Jul Nov Dec
CONTACT
CLIENT LOGIN
E: (click the E)
C: 714-292-5238

RESOURCES

Photo Printing Services Trim Bodies Are In Camera & Lens Decisions Tripod Selection Camera Bags 3 Important Camera Filters Day 1 with Your Camera Day 2 with Your Camera - Focusing Exposure Control - Camera Settings Crooked Photographers The Value of Photos Color Blindness How to Visit an Art Gallery Wall Art Previews Before You Buy Black & White Darkroom Prints How to Hang a Photo Print Glazing Options for Photos Print Decisions - Paper, Metal, Acrylic? Why Photo Sales are Surging How to Tell Photo Print Quality Lighting for Your Walls Prescott Art Galleries Golf Course Photography Art Show Guide  

PORTFOLIO PAGES

Abstracts Wandering - Scenes You Can Walk Into Viewing - Overlooks and Cliff Edges Spelunking? Underground Slot Canyons & Caves Pueblos & Petroglyphs Grand Canyon Growing - Trees, Plants, Flowers Blowing - Sand Dunes Shining - Stars & Night Skies Breaking - Waves & Ocean Shores Flowing - Rivers, Streams, Waterfalls, Lakes Prescott & Sedona Southeastern United States Swamps Winter Spring Monochrome  

BLOG

Swamp Horrors Dark Side of Photography Grafitti & Vamdalism AI & Photography Field Notes An Eye for Art Fine Art Photography Photo Workshops & Guides Using Lists for Photography Photography is a Sport Cliff Rage - Photographer vs Tourist Art of Social Media Comments Pre-forgiven - We All Mess Up Size Matters - Smaller Can Be Better Photographer's Solitude  

HIRE ROB STRAIN

Southwest Photo Workshops & Guiding Pre-Session Form Photography Portfolio Review Post Processing of Your Photos Caddo Lake Workshops Monsoons & The Grand Canyon Portfolio Review  
Crafted by PhotoBiz
Rob Strain Fine Art Photography Logo
CLOSE
P:
Search
  • ROB STRAIN PHOTOGRAPHY
  • PORTFOLIO
    • MOTION
    • ABSTRACTS
    • WANDERING
    • VIEWING
    • SLOTS & CAVES
    • GRAND CANYON
    • PUEBLOS & PETROGLYPHS
    • GROWING THINGS
    • BLOWING SANDS
    • SHINING SKIES
    • BREAKING
    • FLOWING STREAMS
    • SOUTHEAST
    • SWAMPS
    • NAMIBIA
    • PRESCOTT SEDONA
    • MONOCHROME
    • WINTER
    • FALL
    • SPRING
  • FEATURED PRINT
  • HIRE, WORKSHOPS, ETC
    • WORKSHOPS & PHOTOTRIPS
    • SOUTHWEST PHOTO WORKSHOPS
    • PHOTOGRAPHY WORKSHOPS
    • JOSHUA TREE PHOTOGRAPHY WORKSHOP
    • DEATH VALLEY PHOTOGRAPHY WORKSHOP - MARCH 2026
    • GRAND CANYON MONSOONS PHOTO TRIP
    • 2027 MONSOONS ON THE RIM PHOTO TRIP
    • MOOD OF THE SWAMP PHOTO WORKSHOP
    • CADDO LAKE PHOTO WORKSHOP DETAILS
    • PRE-SESSION FORM
    • PORTFOLIO REVIEW
    • POST PROCESSING
    • TESTIMONIALS
    • WORKSHOP POLICIES
    • LIABILITY RELEASE
  • NEWSLETTERS
    • JUN 2026
    • APR 2026
    • DEC 2025
    • OCT 2025
    • AUG 2025
    • APR 2025
    • FEB 2025
    • JAN 2025
    • NOV 2024
    • JUL 2024
    • JUN 2024
    • MAY 2024
    • APR 2024
    • MAR 2024
    • FEB 2024
    • JAN 2024
    • DEC 2023
    • NOV 2023
    • OCT 2023
    • SEP 2023
    • AUG 2023
    • JUL 2023
    • JUN 2023
    • MAY 2023
    • APR 2023
    • MAR 2023
    • FEB 2023
    • JAN 2023
    • DEC 2022
    • NOV 2022
    • OCT 2022
    • SEP 2022
    • AUG 2022
    • JUL 2022
    • JUN 2022
    • MAY 2022
    • APR 2022
    • MAR 2022
    • FEB 2022
    • JAN 2022
    • DEC 2021
    • NOV 2021
    • OCT 2021
  • BLOG
    • HOTELS & GETTY IMAGES
    • PHOTOGRAPHING NAMIBIA
    • STARRY, STARRY NIGHT
    • REINVENTING ONESELF
    • HIKING WITH BILL
    • ORIGINALITY & CREATIVITY
    • SWAMP HORRORS
    • DARK SIDE OF PHOTOGRAPHY
    • GRAFFITI VANDALISM
    • SATURATED PHOTO MARKET
    • LIARS & PHOTOGRAPHERS
    • AI & PHOTOGRAPHY
    • PHOTOGRAPHERS' SOLITUDE
    • GOAL SETTING
    • SWAMP REPORT
    • FIELD NOTES
    • AN EYE FOR ART
    • FINE ART PHOTOGRAPHY
    • HIRE A GUIDE , TAKE A WORKSHOP
    • LEAN ON LISTS
    • PHOTOGRAPHY IS A SPORT
    • CLIFF RAGE
    • THE ART OF COMMENTS
    • PRE-FORGIVEN
    • SIZE MATTERS
  • PHOTOBOOMERS
    • MILKY WAY PHOTOGRAPHY
    • MULTIPLE EXPOSURE FUN
    • CAMERA MOVEMENT
    • MASKS SIMPLIFIED
    • RADIAL FILTER MASK
    • SELECT OBJECT MASK
    • RANGE MASKS
    • NEGATIVE CLARITY
    • BUILDING FRAMES
    • DENOISE & SHARPENING
    • GALLERY REPRESENTATION
    • ART SHOW GUIDE
    • BORDER PATROL
    • MAKE IT POP!
    • SEEING HALOS
    • SEEING SPOTS
    • REFLECTED LIGHT
    • MODIFYING SATURATION
    • BE A GALLERY ARTIST
    • FINDING STYLE
    • MINIMALISM
    • BREAK THE RULES
    • LEADING LIGHT
    • KEEP IT SIMPLE
    • BALANCE YOUR COMPOSITION
    • CREATING DEPTH
    • FIND AN ANGLE
    • RULES & FRAMES
    • WHAT IS YOUR SUBJECT?
    • MISTAKES PHOTOGRAPHERS MAKE
    • TRIM BODIES ARE IN
    • CAMERA & LENS DECISIONS
    • TRIPOD SELECTION
    • BUY A BAG OR TWO
    • 3 IMPORTANT FILTERS
    • DAY 1 WITH CAMERA
    • DAY 2 - LEARN TO FOCUS
    • EXPOSURE CONTROL
    • CROOKED PHOTOGRAPHERS
  • DECOR
    • BUYING FRAMES
    • ART FESTIVAL SHOPPING
    • LIGHTING PRINTS
    • VALUE OF PHOTOS
    • COLOR BLINDNESS
    • HOW TO VISIT AN ART GALLERY
    • WALL ART PREVIEWS
    • B&W DARKROOM PRINTS
    • HANG IT!
    • COVER THAT PRINT
    • PRINT DECISIONS
    • WHY PHOTO SALES ARE SURGING
    • DETAILS MATTER
    • PRESCOTT ART GALLERIES
  • RESOURCES
    • HOW TO PHOTOGRAPH ANTELOPE CANYON
    • GOLF COURSE PHOTOGRAPHY
    • RESEARCHING WEATHER
    • RESEARCHING LOCATIONS
    • VIRTUAL CONSULTATION
    • OUR PRINT FORMATS
    • SMART PRINT CHOICES
    • PRINTING SERVICES
    • E-books
    • CONTACT
    • I SHARED
    • FAQ
    • ABOUT
    • SUBSCRIBE
    • PRIVACY POLICY
  • FRAMES
  • PHOTOGRAPHY INSTRUCTION
  • Death Valley Night Photography